Search Results for: wonder

Wednesday word: Proustian

That’s right, I’ve started reading Proust. One quarter of the way through Swann’s Way. I have a copy on my iPad and there are typos and for awhile, reading it without being able to connect wifi-ingly anywhere, I wondered, maybe this isn’t actually Proust. Maybe someone just uploaded eir (yes Spivak pronouns. He wrote my Calculus textbook, so I owe him.) story to Project Gutenberg and said it was Proust. I mean, who reads Proust? Who would know? Like the day I had in high school Calculus (see, Calculus comes up again) when I couldn’t shake the feeling that my teacher was making shit up and that when I started my real life, I’d be sitting in some university Calculus class and realise that everything I learned in high school was a lie.

Later I determined that everything I did learn in high school was essentially a lie, French Grammar and Calculus excepted, unless there’s a vast international conspiracy that’s still pretending about the Calculus I’ve learned and that really, I’ve learned it wrong! The horror! What if all these years of taking derivatives, they’ve all meant to be something else? What should I have been doing instead?

memory in real life, memory in work

I wonder a lot about my memory. Two weeks ago I was invited to a wedding of someone I’ve known for a long time. When I mean a long time, I mean since we were eight years old. The friendship has waxed and waned over the years and I guess it’s waxing right now, hence the invitation. So, obviously, I have to think of a present, and I’m sitting around thinking about some of the stuff we did in high school, like stupid poems we wrote to each other and thinking maybe I could recreate some of those, at least for the card, because that would be nice, wouldn’t it?

Then I realise that no, it wouldn’t be nice, because nobody remembers all the random bits and pieces I do.

I met someone recently. Technically, I re-met someone. We went to high school together and were in a few classes and in a few clubs together and she has no memory of me at all. Not one, while I remember her. I remember entire conversations we had together. But none of this clearly made its way into her long-term memory.

I’ve always been at the periphery of people’s lives. I get that. My personality is less of a personality than a flat-line of quiet and suspicion. Observation. I observe, which helps me as a writer. The memory helps too, remembering scenes and places and how people stood or looked or smiled in certain instances. So I can take my exact memory and put it to good use. Still, it sometimes hurts to be forgotten, even if I can use the forgotten bits in my writing.

And because I teased you all with the possibility of high school poetry, here is some of a poem that I wrote in high school for my wedding-friend. It is a nonsense poem, like most of the poems we wrote at the time. I can’t remember a lot of it (so much for my exact memory), only bits and pieces. I think the poem was about forty lines long, and I only have twelve lines that have stuck with me. The ending stanza, which I do remember, also has to do with remembering things for a long time, so I guess it’s apt for this post about memory. So I leave what I can recall here for you to peruse:


Ode to Michael Stipe and All the Other Bald Rock Stars
By me, circa 1995

The law had been my passion
With you upon the stand
I never thought you’d make it
While our son was at band
The moon shone very brightly
The penguin just as much

Q, R, S, and T, U
But I am oh so small

Remember this forever
If you remember this at all
I love you cause you’re clever
And Michael Stipe is bald

March 2013

I read the following books:

  • The Informant by Kurt Eichenwald
  • The Greenway by Jane Adams: I read this book a long time ago, the last year of high school or first year of university. Then, three or four years later, I suddenly started thinking about it, although I couldn’t remember what it was called or who wrote it, which was annoying. The weekend after I was thinking about it, all alone because of a fight with Geoff, I went to the CFUW-KW booksale, and rifling through the boxes, there was The Greenway. If you’ve been to the booksale, you’ll know that going there is a rather Dirk Gently fundamentals of interconnectedness sort of organisation. One wanders, one sees books that are interesting, one does not go in search of specifics, especially a mystery novel that, at that time, was eight or nine years old and not very popular outside the UK. So I bought it and brought it home and it’s followed us around the last four provinces to here. I read it now and then, like I read it this month, March 2013.
  • Cast The First Stone by Jane Adams: This is the sequel to the previous book.
  • Where’d You Go Bernadette by Maria Semple
  • Seriously Mum, What’s An Alpaca by Alan Parks
  • HHhH by Laurent Binet
  • Above All Things by Tanis Rideout
  • The Lizard Cage by Karen Connelly
  • When A Crocodile Eats the Sun by Peter Godwin
  • In One Person by John Irving: Can one classify a book as lesser Irving, because this book can best be described as exactly that. It has Irving’s fingerprints all over it, but I read it and think I wish I was reading A Prayer For Owen Meany or A Widow for a Year or Garp, and yes, Garp and I are on a first name basis. Also, where is my copy of Garp? Did I lend it out? Did the movers steal it? But back to In One Person, this book is a prime example of the lack of editing in modern fiction. Complete sentences are repeated, explanations happen more than once, etc. I guess no one edits anymore or maybe no one remembers all the repetitions the way I do.
  • Brain on Fire by Susannah Cahalan: Well, you can tell that she’s a reporter in that every chapter is around eight hundred words long and presents one salient idea. The book is procedural in its ability just to stick to its form. Perhaps a more senior reporter would have been able to vary the form a little to make the book more interesting than it ended up being. Oh, and the privilege, please do not get me started on the privilege. For example, Susannah’s father puts a sign up saying that his daughter deserved the attention given to her by the nurses with the clear implication that there are other patients who do not deserve the same attention. The book starts to sour around there.

Best book: HHhH. I’d thought, since I’d read it, that The Kindly Ones was the modern fictional treatise of Nazism. Then, in one almost ignored sentence, Binet completely destroys The Kindly Ones as Houellebecq does Nazism, which is 100% the truth and how did I not see that myself? So now, folly destroyed, I put HHhH as the modern fictional treatise on Nazism. We’ll see what comes along to destroy this statement next.

I watched:

  • (500) Days of Summer: If there was ever a movie about why nice guys are the worst, this is it. So Tom thinks Summer’s pretty and therefore that means that he gets what he wants, spends their time together making fun of things she likes, like her taste in music, and then gets confused when she doesn’t want to spend the rest of her life with him? And, to start the movie off, the writer calls his ex-girlfriend a bitch in the opening title sequence. Wow. What a great movie written by such a great guy (end sarcasm). And, what’s super great, that link I have about why nice guys are the worst, just the first link that came up when I googled it, has a quote from Joseph Gordon-Levitt on why Tom isn’t even close to being the nice guy he thinks he is in his head.
  • The Queen of Versailles
  • TiMER
  • The Imposter
  • Alice in Wonderland: So frenetic. I think we’ll stick with Miyazaki movies for Tesfa for as long as we can.
  • My Neighbour Totoro: Yes, again. We watch Totoro a lot around here.
  • Dinosaur Train: It’s on American Netflix now and Tesfa is very happy about this development.
  • The Wire: I was ready to give up after Season 4, not because it got bad, but because I can’t imagine anything good coming to those kids, except maybe Namond, in the fifth season and I don’t know if I’ll be able to handle stuff going bad for them.
  • Parks and Recreation
  • The IT Crowd: So why is it that I can accept stupidity in British shows but not American ones. It is hardly like the The IT Crowd is cerebral, although it has its moments, so what gives? Is it the accents? I do appreciate a good Irish accent. Do I somehow believe they are more self-aware than American shows, say the walking rape-culture embodiment that is Barney Stinson on How I Met Your Mother which is played straight, like rape-culture is supposed to be funny, versus some of the more cringe-inducing comments of Roy? I don’t know. But I watched all four series and laughed so that counts for something.
  • Mad Men: It’s burning slow. I don’t know whether it’ll pay off though in the end.

I wrote: Finished typing Come From Away. Now that it is April, here comes the long, slogging haul of re-reading and re-writing. Also finished and entered Sarah Selecky‘s Little Bird contest.

And, one of my pieces was accepted at The Rusty Toque. I’ll post a link when the story is up and available on their website.

the books which are good but which I don’t like

I never know what to do when I am reading a book that is, for all the ways you can think of “good” meaning, is good (good characterization, realistic dialogue, great pacing, intelligent story), but that I don’t like. Currently, I am reading Above All Things and while every word I read reinforces that this should be a great book, I am not enjoying reading it. I can say books are like people and sometimes you meet people and you’re just not friends, not matter how hard you try, but I want to enjoy books that are well written with engaging story lines, not feel like I have to slog through it before the library return date.

Con with Above All Things: It reminds me of my longer story, but my longer story is on my brain so everything reminds me of my longer story.

Pro: This quote

None of it seemed appealing, the parties where I’d stand off to the side, the dinners talking about how wonderfully proud I must feel.

As a wife of an academic of whom not one other academic at his new job has asked me what I do, I know how this feels. Although, if they did ask me what I did and I told them about letting my PhD to collect dust so I can be a writer with six stories published online, yeah, I doubt they’d think much more of me with that.

Should I quit? Should I keep going? If it’s a good book, maybe I’ll learn something even if it doesn’t feel like there’s any spark between us. Or maybe I should cut my losses and go re-read a book I know I love again to perk myself up.

About

tesfa 013

This is taken from an assignment in ENGL 496 with Aritha van Herk at the University of Calgary:

I am a writer because.

When I was little, I wanted to be a writer. I nurtured this fantasy until I was about seven, at which point someone must have told me to stop being cute and start considering a more serious occupation. I don’t know who would tell a seven year old to be more serious, but someone did for me and so I put the writing dream away for awhile and focused on the long nights and hard struggles of being in Grade Two.

My first attempt at formal creative writing instruction arose in high school. Having waited two years to take this class, I gleefully signed up for EWC3A: Grade 11 Writer’s Craft. Like most opportunities for which one waits years, it was awful. Purely, magnificently, irrevocably awful. Our teacher was bitter, pedantic, and extraordinarily condescending. She was from, as we were reminded daily, Rhodesia. In a class of students all born in 1980 or later, she might as well have told us she was from Tzfjdslf. A group of us tried looking Rhodesia up in an atlas – I eventually found it on a 1950s globe in my grandmother’s house[1]. Her life appeared to have been on a downward slope for a long time, which is what happens if one is born in pure luxury on one of the largest commercial farms in Rhodesia, in a house full of maids and butlers and servants, but then, at forty-five, finds oneself babysitting bored teenagers in a mediocre suburban high school. We did get to listen to her increasingly racist edicts – how well her family treated the sharecroppers on her farm, how she didn’t join protests against apartheid while a student in South Africa, how majority rule was ruining southern Africa.

Now, an adult, I wonder why we put up with her, but then, why do high school students put up with any of their teachers? The only answer I can think of is that we didn’t know better. She was the teacher. We were the students. Without complaint, I spent most of the year writing articles for the yearbook and being forced to join the debating club. My work was regularly called dull, uninteresting, and poorly constructed. At the time I was crushed, but as I have no copies of that year’s work[2], perhaps she was right. Or perhaps she was just a mean little woman with nothing better to do than pass judgement on those of us who still had the potential to be. She had been. We were being.

I took the class with a friend, S, who became our resident shit disturber. Her influence was subtle. She never openly suggested rebellion; she only ever questioned the usefulness of a few of the assignments, such as helping to write glowing reports about the corporations who bought new computers for my school. But that was enough. In April, when we picked courses for the upcoming year, my teacher announced that EWCOA: OAC[3]. Writer’s Craft would be cancelled until S and I had graduated. She had no interest in ever teaching us again, a ridiculous pronouncement as she was the only Grade 12 English teacher and we would be in her class the following year[4]. Indeed, no further Writer’s Craft courses were held until after we graduated. So ended my first attempt in instruction in creative writing.

I didn’t write anything for over two years.

In those two years, I reached the age where one is expected to pick a career. How one is supposed to pick a career after fourteen years experience of sitting quietly and copying notes off the blackboard, I still don’t understand. But I was told that I had to choose. I went back over eighteen years of what I wanted to be when I grew up. A writer, obviously, but that was cast aside. You don’t go to university to be a writer. You go to university to be a lawyer[5], an opera singer[6], an engineer[7], a physicist[8]. In the end, I went for Mathematics because the programs without Mathematics made me feel lonely. That and I was in love with a boy who loved Mathematics[9]. And yes, he was a boy. He will always be a boy, even though he’s now over thirty and has a job and an apartment and lives by St Clair West station in Toronto. For the boy who loved Mathematics. As if to cement my decision, the Sunday before frosh week, Sneakers was on the television[10]. Who wouldn’t want to be a mathematician after that?

So I was in Math[11]. I traipsed off to Canada’s Mathematics Mecca, the University of Waterloo, where I spent a miserable four and a half years getting a degree, Pure Mathematics, in a specialty, Functional Analysis, that I didn’t understand. Then, I bummed about for a year, volunteered in Costa Rica, and went on to Dalhousie for graduate work, thankfully, in Combinatorics.

I had started writing again in undergrad. I wrote a story about a mathematician that didn’t want to be a mathematician. He wanted to be a pianist[12], and I, of course, was not self-aware enough to see the parallels. In Costa Rica too, I wrote. I wrote a story about a girl whose mother abandons her in the parking lot of the Cambridge roller-derby rink[13]. In graduate school, I wrote a half a novel about people damaging each other in subtle ways[14]. I wrote travelogues of the places I visited[15]. I fictionalized working in Ethiopia, a thinly veiled criticism of my ferenj superiors. I “wrote” scenes in my head while taking the bus, wandering around, staring vapidly at my unsleeping child. Then I applied, on a whim, to ENG 366 at the University of Calgary, with no real belief I would be accepted[16]. I was a mathematician. A reluctant one, but a mathematician nonetheless. But I had spent five years writing readable Mathematics[17], and writing Mathematics is similar to writing Fiction as writing Fiction is similar to writing Mathematics. Requirements: concise language, narrative flow, exposition, results, imagination, engagement, intrigue, surprise, denouement, conclusion, the end. Convincing the reader of a truth she doesn’t yet know in a finite, linear, typed space. All applied to either and both simultaneously. Inadvertently, I had returned to writing.

Now I am eyed warily by both sides. Am I a mathematician who writes? A writer who mathematicizes? Deviant-like, I imagine them imagining me skulking back and forth between the two. Binary 0 or 1 and I’m back in the high school guidance office being told that I need to pick one, and only one, career. Nature may abhor a vacuum[18] but humans abhor someone who lies unnaturally between science and art. Perhaps my psyche is broken. I am ambidextrous[19] so maybe the Left/Right brain rules don’t apply to me, not that I’d want them to. I’m happy living in a quantum semi-state. The best of both worlds.

Upon rereading of this “manifesto”, I see that I’ve touched on my earlier attempts at writing, my decision to enter mathematics, the similarities between the two, yet have skirted the question of why I am a writer. Strangely, the reason can easily be stated in a few lines.: I am a writer because all other labels feel wrong. I am a writer because[20].

1. Rhodesia is now Zimbabwe for those whose grandmothers don’t feel the need to keep everything they’ve ever owned in their basements. &#8617

2. I might have destroyed it in a fit of teenage angst, or it might be in a banker’s box in my parents’ basement. A mystery. &#8617

3. In Ontario between 1984 and 2003, Grade 13 was called OAC: Ontario Academic Credit. &#8617

4. Actually, we both managed to get out of it due to a loophole I discovered in the ministry requirements. At the time, you needed five English credits to graduate high school in Ontario, but only four of these had to have an ENG prefix. So EWC3A counted as an English credit, and we only needed four ENG’s, meaning that if we took Grade 11 English, we could skip Grade 12 English completely. &#8617

5. I watched a lot of Street Legal as a child. &#8617

6. A short, middle-school infatuation with The Phantom of the Opera. &#8617

7. I come from a family of engineers. &#8617

8. No idea where this one came from. I didn’t even like Physics, although I used to do my high school boyfriend’s Physics homework for him, which meant I was decent at it even if the high school boyfriend convinced me that he was smarter than I was, although the fact I was doing his homework for him should have clued me in otherwise. I also looked at Geology, Chemistry, Business, Botany, French, Latin, and Economics.&#8617

9. Not the high school boyfriend I should point out. &#8617

10. This movie stars both Sidney Poitier and Robert Redford, yet, at an Oscar’s ceremony a few years ago, when both actors were honoured with awards, neither of their respective montages showed a clip from this movie. We mathematicians were outraged. &#8617

11. Please bear in mind that whatever it is that non-mathematicians think we do, we don’t. For example, we don’t add up long columns of numbers. We don’t take derivatives of polynomials all day. The majority of us don’t work with prime numbers. What we do is build theoretical constructions and see how far they can be pushed. &#8617

12. In the list of potential careers above, I should have also added pianist, but I was dissuaded from being a pianist by the fact that I had no RCM qualifications and a very small span – barely an octave. &#8617

13. This one sentence description is far better than the actual story, which suffers from being both repetitive and vague. &#8617

14. Since abandoned, although the piece I read at the ENG 366 reading last year, where a couple drives down the Nova Scotia coast and tricks a minister into signing the wedding license, was from that story. It has scenes that read aloud well, even if the story, as a whole, is far too introspective to interest anyone but myself. It also got a laugh which is crazy since I never write anything funny. You guys weren’t laughing at me, were you? &#8617

15. UK, Ireland, Costa Rica, Belize, Guatemala, Ethiopia, Japan, Slovenia, France, South Africa, Italy, etc. &#8617

16. My blog records the following entry for August 28, 2009: Today is the day that they accept people into the creative writing class. I anticipate I will not be accepted. &#8617

17. More than that, I spent five years refereeing unreadable Mathematics, which may have been far better preparation for writing readable work. &#8617

18. Baruch Spinoza, Ethics, Prop. 15: note. Look at that: using a footnote for its actual purpose. &#8617

19. An academic party trick – I can start writing with my left hand, then switch to my right as the sentence unspools across the chalkboard. No one has been suitably impressed as of yet. &#8617

20. I apologise if you’re now annoyed that you read through a whole screen of ramblings when I could have just written these two sentences. Brevity has never been my strength. &#8617

reading around the world – Russia

Russia: Gulag: A History by Anne Applebaum

Thoughts: I’m starting to wonder if really what I should call this section is reading around the other world, since my book for Canada was actually about la nouvelle France, my book for Zambia was actually about Rhodesia, my book for the United States was alternate history, and this book for Russia is actually about the USSR.

There is a part in the introductory chapter of this book where the author makes the same point I’ve been making since sometime in like 2001 – why is Soviet stuff kitsch but Nazi stuff verboeten? I still don’t know. My only guess is that in the west, everyone knows someone whose family was directly affected by the Holocaust (I dated someone in high school whose grandmother was a concentration camp survivor). Since so many people either died in the gulags or weren’t permitted to leave after the fact or write about it openly, there is no personal connection. I also came up with the idea that the Nazis were tangible. The parts that everyone always associates with the death camps are from ~1941 to 1945. That’s four years. Four years is manageable. The gulag was from the 1920s to the 1960s, then dropped off for a bit, then increasing again. Maybe my mind can’t imagine bad happening for forty years straight in the same way that most people can only hold seven numbers simultaneously in their short term memory.

All this means that I should care as much about people sent to slave labour camps north of the arctic circle as I care about people being lined up for gas chambers, but I don’t, even after reading this book. That’s why it only got 3.5 out of five stars. I know a lot about the gulag system now, but I still don’t have the visceral reaction to it in the same way as the Nazi concentration camp system.

Rating: 3.5/5

reading around the world – United States of America

United States of America: Infinite Jest by David Foster Wallace

Thoughts: I didn’t know whether to put Infinite Jest in my reading around the world list. It takes place in America, but in an alternative-reality sort of America (I suppose literary folk might use the word speculative). But it is my list. I can have anything on it.

Possible spoilers within the next few paragraphs: I don’t know if you can dislike Infinite Jest. I also don’t know if you can like it. At around eleven hundred pages including end-notes, it sort of just exists in a state that if you finish it there must be something meaningful to have kept you pushing forwards. I have all the standard criticisms – the ending was weak (but there was really no other way to end it. Actually, no, I guess there were lots of other ways to end it and I think having the ending scene being Gately rather than Hal is the main issue. I think a lot of the criticism regarding the ending is due to the novel not ending on Hal. Unfortunately, there’s also the caveat that the point of the novel is to be untethered within the narrative and the novel ends with Gately at his most untethered both physically and mentally so you have the literary ending mimicking the structural basis of the plot. So I can see the point of ending with Gately. I just, like everyone else, don’t like it). I don’t mind so much some of the other issues like non-linearity. I can barely center myself in time so others’ inabilities to do the same I find acceptable too. I doubt I will ever read the novel again (even though doing so would probably make sense to re-read it right now because I can linearize the non-linear parts knowing now what happens), but it sort of strikes me as a piece of work that changes as you change – characters which had been sympathetic cease to be so and empathy comes in for characters you felt nothing for earlier. Maybe in ten years I’ll dig it up and read it again. I know Geoff read it about ten years ago on Ed’s suggestion (which is why we have a copy around. I think we bought our own although the copy we have may be Ed’s). Maybe he will re-read it now and we can discuss.

Am I happy I read Infinite Jest? Yes. Does it make me feel bad about me as a writer? Also yes (there are no eleven hundred page novels hidden away inside my brain here). Do I not really know what I’ll be doing with my reading time now (I started in September and only finished on Monday in Baltimore)? Another yes. I did go out and buy The Pale King as I was getting to the end of Infinite Jest because I started wondering what I would do with non-Infinite Jest time once I finished reading. Like right now, I’m thinking what I’m going to do and I feel sort of lonely. Infinite Jest is populated by lonely people. I would fit right in. I’d like to think that if David Foster Wallace hadn’t killed himself three years ago, that maybe we would have been friends.

Rating: 5/5