fiction writing

art imitating life imitating art

I wrote a story about blowing into fans because everyone blows into fans to hear her voice echo. Finished story. Tesfa, unprompted, ran up to our fan and yelled into it.

Listen to me she shouted.

I sound funny!

***

Expand your horizons by reading a new book.

So says my fortune from the buffet Chinese place we went to in Fredericton. Well, I read plenty of books. My horizons should stretch out now in all directions as far as the eyes can see, not blocked by the dairy farm and the fir trees in the line of my vision outside my house.

***

Writing a story about summer as the end of the snow melts and the lake from melted snow in our yard recedes. But after the last winter, I’m not convinced that summer any longer exists. It’s a dream. Warmth and sun.

Fixed the screen door anyway, just in case.

maybe I’ll submit elsewhere

Went to submit to a journal yesterday. Reading through the submission guidelines and I came across a list of things they wanted with the submission:

  1. list of previous paid publications,
  2. list of awards and other accolades,
  3. list of degrees/courses related to creative writing.

One, I’m lazy and don’t feel like typing this up. But two, what does my story have to do with any of those things? Shouldn’t my story be judged on its own merits, rather than prejudiced on how much external umph I have before now (which is low-medium – nominated for some awards, but never won; published in some journals, but usually littler ones). Shouldn’t they want to read my story and then if they like it, ask all that? I don’t want to be presorted because I’m still at the starting-out part of the game. That hardly seems fair. I’d rather blind submissions. I always advocate for that, even when I was refereeing academic papers. I don’t need to know who wrote something – I only need to know if it’s good.

So I don’t know. I should keep submitting. I actually think my story is a good fit for this journal, but I don’t know if it’s even worth my while when I can keep submitting to littler things that actually seem happy that I am submitting, rather than important journals making me feel like I’m going to get rejected straight out anyway. Plus, I think the turn-around time is something like nine months. I don’t have nine months to wait on everything.

Big, important journals: boo!

tapped out

Me: That’s it. I have no new stories. Not one. I have written everything I can write.

Geoff: You said that last week and then you wrote five thousand words about a lifeboat.

Me: But that situation was totally, completely, irrevocably, one hundred and twelve percent different.

Geoff: Okay. Fine. I guess you’ll have to fill your days with Netflix then.

Me: Fine. I will.

ten minutes pass

Geoff: What are you writing?

Me: A story.

Geoff: I thought you were done writing stories.

Me: Yeah, but I didn’t mean it.

Geoff (throws up hands in disgust and walks away)

a short story a month

Due to having a lot of my stories published in the last two years and the ones that haven’t been just keep kicking around, rejection after rejection trailing behind them, I recognize the need to rebuild my short story arsenal. So I decided, in March, to write one short-story a month for 2014 (minimum). I kind of wish I’d decided this in January, as I wrote a story in February, I’m writing one in March, and January I spent on Come From Away and How To See The Faeries, so I’m already a story behind (not that I’ve finished the March story either).

So twelve stories. Seems manageable. There’s even one section of Come From Away I don’t mind. I might cut that out, pad it a bit, and use that as a short story so January wasn’t completely wasted.

where I get my ideas

Isn’t that the question that gets lobbed out to writers at public speaking events? I remember having a book about being a writer (which my maternal grandparents gave to me in an uncharacteristic show of support for talents. To give you an idea of my grandparents, a few weeks ago my maternal grandmother said that my five year old daughter had a good, slim figure, so, yeah, um, okay) and that was pretty much the entire book Where do writers get their ideas.

So in case you’ve ever wondered where I get my ideas, here is an example. I read a book about a lifeboat. I am now writing a story about …. wait for it … a lifeboat.

There you go. You can all marvel at the intricacies of the meghan mind. Pretty much how I read a book about faeries and then decided to write a story about faeries.

In any case, my lifeboat story will likely be short and have fewer characters. I got confused with the number of characters in the lifeboat story I just read. Also, my story will probably not be that good. But it’s the thought that counts, as long as the thought doesn’t involve too much outright, blatant theft from the book I just finished.

what’s your fave?

Geoff recently read the first 120-odd pages of my faerie story. He was, well, he had some positive things to say, but also a lot of non-positive things to say too.

You don’t think it’s really good? Like one of the best things I’ve written? I asked him.

He looked at me like I was insane. No he said. Not at all.

Hmmmmmmm. This is not good. I actually like my faerie story. I mean, there are lots of problems still, but I like writing it and I like seeing what’s going to happen and I care about the characters.

So what stories do you like I ask Geoff.

I actually like Come From Away Geoff says. And Darién Gap.

I made a noise that denotes annoyance at Geoff.

What he said. I like what I like.

But why can’t you like what I like I replied.

So there’s that. Geoff doesn’t like the faerie story as much as I do and I think that he has rose-tinted memories of the mess that Come From Away slopped itself into. Plus I don’t know what to do. For all my liking of my faerie story, I don’t really feel like fixing the problems in it right now – the word Geoff used was convoluted and the word he used before convoluted was unnecessarily. I’m reluctant to start anything new since all my new ideas are open-ended and I already have two sprawling, incomplete stories mocking me. I’d say I had a whole island-of-misfit-toys story thing going on, except then I remembered that at the end of that show, all those toys found homes and people who loved them. So I can’t even get my pop-culture metaphors rights. I just want to think of a brief, short-story idea, like my psychic idea last month, or the story I wrote about cows way back in the fall. Instead, I guess I’ll just read a bunch of books and hope there are some ideas I can steal from them. Or maybe I’ll just write some random words down and then link them together with prepositions to see what happens.

Usually every two months I get down about my writing, and then little good things, little pushes, happen. It’s the two month mark right now since the last push. Am I going to have to rely on my own shoddy belief-in-self to get me through? Perish the thought.

8859 words [or] where’s my faerie story at #2?

Today, from nine until noon, I typed up whatever was left in my notebook, all 8859 words. So End of Book One Rough Draft Number One completed.

I still don’t know what to do next or how to resolve anything. If I can find 128 pages (actually half that, I can print on both sides), maybe I’ll print it out and get some input from Geoff. He sort of said he’d look at it, but he was also really sick and would have probably agreed to anything if it meant I was going to leave him alone at that exact second. But what better way to recuperate than to read a shitty first draft of your wife’s first attempt at writing a fantasy story. That sounds like it will be great for all those involved.

My wrists, neck, and back, are aching. And I have chores to do. And my tax refund was paltry this year since I earned almost no money (I did get back the $500 I paid in taxes this year though). Waah waah waah me.

I think all March I’ll just write short stories and feel good about accomplishing things.

where’s my faerie story at?

A: At a crossroads.

Today I finished writing (in longhand in my ideally sized Dollarama notebooks – dear G-d, what will I do if Dollarama stops stocking these sizes of notebooks? They already raised the price on them from $1.50 to $2.00; what if they become too expensive for Dollarama to produce? What if an emerging worker class in China demands better conditions in their Dollarama factories causing the whole Dollarama empire to collapse and I lose my notebooks for the good of humanity overall?) everything I had written down to do in my previous plan. It left me at what I think of in my head as the End of Book One.

Except now I am starting to realize that to have an End of Book One, one needs to have, at least, a Beginning of Book Two, followed by a Middle of Book Two, and, ideally, an End of Book Two. So now I’m wondering if instead there is some neat-o way I can spend another ten thousand words and wrap everything up instead. You know, if I could figure out a neat-o way to spend another ten thousand words and wrap everything up. My plan only got me to the End of Book One and now I’m stumped. I don’t know if I have the fantasy-world chops to go into the world of the faeries; I’ve sort of stayed near the surface but kept us here in my thinly veiled Maritime small town and put faeries there. Maybe now I have to put my thinly veiled Maritime town in the faerie world instead?

I have to type up what’s left in my notebook, probably about five thousand more words. Then I have to get an idea. Or not. I could just abandon this and go do something else and hope, left in the recesses of my mind, a Beginning of Book Two somehow presents itself to me in that hazy area between being asleep and waking up.

I also hate typing. My notebook is just sitting next to me, laughing at all the words I have to get from it and onto my computer. Maybe I’ll look into some sort of voice transcribing software. Anything to mean I don’t have to spend the next two days bribing and tricking myself into typing something up.

where are all these words coming from

A few months ago I read about the Portuguese word saudade. Wikipedia tells you the word means a deep emotional state of nostalgic or profound melancholic longing for an absent something or someone that one loves. Moreover, it often carries a repressed knowledge that the object of longing may never return.

That’s pretty awesome, I thought to myself. Why don’t more people know that word?

Except now that in the last ten or so books I’ve read, saudade has been in five or so of them. Clearly I missed the message that saudade was the it word I was supposed to be using.

Then in Kristen Lavrandsdatter, which didn’t have the word saudade in it, although who knows, perhaps the newer translation does, I learned the word rime, which living in the horrible northern part of the world where I am confident that winter will never end this year and we will be frozen forever, is strange that I didn’t learn this word until now. Wikipedia tells you the word means a white ice that forms when the water droplets in fog freeze to the outer surfaces of objects. It is often seen on trees atop mountains and ridges in winter, when low-hanging clouds cause freezing fog. This fog freezes to the windward (wind-facing) side of tree branches, buildings, or any other solid objects, usually with high wind velocities and air temperatures between −2 and −8 °C (28.4 and 17.6 °F). Another useful word, which, since January, has appeared in four books I’ve read. So I guess I’m expanding my vocabulary.

Then it’s starting to become one of those Reader’s Digest Improve Your Wordpower or whatever that thing is called. I have a friend, for whom English is her third language, but due to spending a lot of time with a dictionary, knows a lot of more obscure or archaic words, which she often puts into conversation to the befuddlement of native English speakers, and I think of her as I am reading The Mask Game, which is not particularly appealing to most people, including myself, and it seems the same thing. The non-English author has an amazing vocabulary, possibly due to dictionary diving, and I look up a word every few pages or so. Some are scientific words, some are possibly made up because they aren’t in my kobo dictionary, some may be transliterated directly from Ukrainian or Russian. This book is long and has aliens in it and ghosts and an inability to pick a verb tense, which I am going to say is not on purpose but due to less-than-stellar copy-editing. I didn’t think this book would be this long, and the claim that it was all done with automatic writing, which Wikipedia tells you is an alleged psychic ability allowing a person to produce written words without physically writing. The words are claimed to arise from a subconscious, spiritual or supernatural source, which seems grossly unfair in that if I could outsource my writing to the spirit world, I would too (and I’m writing a story about faeries right now, so any faeries are welcome to apply), but instead, I’m stuck using my own hands and my own ideas to make stories that don’t use as advanced a vocabulary and are unfinished because of Tesfa snow days and the fact that I write slowly and the fact that I spend most of my time thinking about things that are not useful for writing.

So all the things I don’t know.