art imitating life imitating art

I wrote a story about blowing into fans because everyone blows into fans to hear her voice echo. Finished story. Tesfa, unprompted, ran up to our fan and yelled into it.

Listen to me she shouted.

I sound funny!

***

Expand your horizons by reading a new book.

So says my fortune from the buffet Chinese place we went to in Fredericton. Well, I read plenty of books. My horizons should stretch out now in all directions as far as the eyes can see, not blocked by the dairy farm and the fir trees in the line of my vision outside my house.

***

Writing a story about summer as the end of the snow melts and the lake from melted snow in our yard recedes. But after the last winter, I’m not convinced that summer any longer exists. It’s a dream. Warmth and sun.

Fixed the screen door anyway, just in case.

maybe I’ll submit elsewhere

Went to submit to a journal yesterday. Reading through the submission guidelines and I came across a list of things they wanted with the submission:

  1. list of previous paid publications,
  2. list of awards and other accolades,
  3. list of degrees/courses related to creative writing.

One, I’m lazy and don’t feel like typing this up. But two, what does my story have to do with any of those things? Shouldn’t my story be judged on its own merits, rather than prejudiced on how much external umph I have before now (which is low-medium – nominated for some awards, but never won; published in some journals, but usually littler ones). Shouldn’t they want to read my story and then if they like it, ask all that? I don’t want to be presorted because I’m still at the starting-out part of the game. That hardly seems fair. I’d rather blind submissions. I always advocate for that, even when I was refereeing academic papers. I don’t need to know who wrote something – I only need to know if it’s good.

So I don’t know. I should keep submitting. I actually think my story is a good fit for this journal, but I don’t know if it’s even worth my while when I can keep submitting to littler things that actually seem happy that I am submitting, rather than important journals making me feel like I’m going to get rejected straight out anyway. Plus, I think the turn-around time is something like nine months. I don’t have nine months to wait on everything.

Big, important journals: boo!

harriet the spy: take two

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Because everyone and their dog seems to love Harriet the Spy, I gave it another go. I had enough sense this time to not read it aloud to Tesfa so I could form my own opinions without having to skip over sections inappropriate for a five year old.

Here are my good/bad thoughts.

Good: The book is well-written. It isn’t smaltzy and it doesn’t talk down to children. It doesn’t assume they are stupid. And, as an adult reading it, it isn’t eye-gougingly tedious (I’m looking at you Magic Treehouse stories that Tesfa loves and that I am eagerly awaiting until she is literate enough to read herself).

Bad: I know in my previous complaint post regarding Harriet the Spy, I said I’d read Harriet the Spy before. I don’t actually think that’s true. I think I read The Long Secret because I remember there being a beach and the cover of The Long Secret seems to be a beach, and the internet also tells me that The Long Secret has less to do with Harriet and more to do with Beth Ellen, one of the minor characters in Harriet the Spy. So oops on my memory.

Good: Even though we stopped reading it together when we got to the DOES HIS MOTHER HATE HIM? IF I HAD HIM, I’D HATE HIM part in the first twenty pages (which is also put on the back cover as a, I don’t know, advertisement for this book?), Tesfa asks about it all the time. When are we going to read the spy book again? she asks me. I need to return my copy to the library because I have run out of excuses.

Bad: The kids in this book are cruel. A lot of the time they act like nasty little hellions. And not just Harriet. They say mean things, they hit each other, the throw things at each other. I understand that people, kids in particular, are antisocial monsters, but did no one ever say to any of these kids If you can’t say something nice, don’t say anything at all? Or maybe Don’t throw pencils at people? (this happens frequently in Harriet the Spy). I tell Tesfa she doesn’t have to like everyone, she doesn’t have to go out of her way to be nice to people she doesn’t like, but she still has to treat them respectfully. I have a feeling that if I read her the rest of Harriet the Spy now, my lessons will go right out the window because the vague anarchy in Harriet the Spy is far more exciting than me nagging her to be respectful of other people.

Good: I actually enjoyed Harriet the Spy. I would rate it 4/5.

Bad: The lesson at the end: Harriet is told either to lie or apologize. So she lies and to an extent, everything returns to normal. What the fuck poor lesson is that? If you do something hurtful, intentionally or not, just lie and then everything will get better? Not really what I was hoping for. Harriet having to apologize for her behaviour, to learn that actions have consequences, that other people, even if she doesn’t think so, do matter, nope. Just lie. Problems solved.

Good: Ignoring the rather antiquated parental roles (mother’s going to the salon and playing bridge all day, sure), the kids are relatively gender-free without a lot of negative backlash about it. Harriet dresses in pants, Janie does science experiments, Sport cooks, all the children (minus Harriet) come together to build a fort, all the students are expected to dance in the school play, etc.

Bad: Everyone in this book seems to be rich and white. It’s a very thin slice of life. It might be why no one seems to mind the kids being themselves as they are rich enough that it doesn’t matter.

Good: I’m kind of running out of the good here.

Bad: Harriet hates math. I can’t really get behind anyone who hates math. Math is awesome.

So I read Harriet the Spy and now I can complain as much as I want because I read the whole damn thing and I am informed. Because of the quality of the writing and the non-standard gender roles, I can’t help but feel a lot of people are giving this book a pass to ignore a lot of the book’s problematic issues. Harriet’s curiosity and intelligence doesn’t give her the right to be a dick with only short-term, rather than long-term consequences. Likely, I’m in the minority here and oddly, since I did really like the book. I would rather Tesfa be as bland and kind as Beth Ellen then as thoughtless and cruel as Harriet.

always blue always blue

Maybe because it reminds me of undergrad or all the programmers I worked with at my old government job, and definitely because it was free and I don’t want to proof-read, I watched the first episode of Silicon Valley this morning. The game they play in the closing scene reminds me of Rashig, which was a big, orange, plastic dice found at a group house that rather than the six had the word RASHIG on it, and the game was to roll the dice and should it land on RASHIG, everyone would yell RASHIG!. Not the most strategic game, but a game nonetheless.

Sometimes I think I should have been a programmer. I am not the best programmer and when I do program I generally use it as a very rough hammer and bang on the code until I get it to do what I want, but sometimes, I still think I would have been good at it if I had enjoyed it. And then maybe I could learn how to do it properly, like how I never made header files for my c code. Maybe that’s important.

But still, at a low because of dull weather and sore throats, I think I could have made some app that people care about, create that way instead of this way, which is not profitable, but the only thing I am good-enough at that I don’t hate, like sitting at a desk job programming. Realistically, I know I’d hate that, but in the last month, three people I know have been hired by google, so I guess it’s on my mind.

https://www.youtube.com/watch?v=VvkmsI54ss4

am I reading too much?

I wonder if I’ve started to treat reading the way I used to treat television, when I had television, just hours of staring at American homes on HGTV when I lived in Halifax, NS with no plans to buy anything. That is, as a way to pass the time. Am I using books just as a way to pass the time? I read and read and read but it feels like enjoyment has been stripped from the process. I get breathless, my heart races, and I start to feel sick when I look at my wishlist on librarything. I’ll never read all those books. Then I put hundreds more books on the wishlist and just hope that something will happen and I’ll just spend every second reading rather than being productive. But there’s not even enjoyment in that, in putting books on the wishlist.

Right now it is March (April really, but it looks like March since winter lingers). Some of this has to do with the dreariness of half-melted snow piles with gravel on top. Some of this has to do with the bragginess of the other kindergarten mothers I meet. Some of this just has to do with small town living. Some of it has to do with my general, melancholic disposition.

But am I reading too much? I’ve read 55 books this year so far, but some of those are Tesfa’s chapter books I read aloud to her over and over again to the point where I don’t even need to look at the words on any of the hundred pages. Those are books. Those count.

I’m reading because that’s like work that isn’t work, procrastination that I can say is important somehow. Expanding my brain with no carpal tunnel from clicking around click-bait stories on the internet. Tomorrow I have a two hour block where I sit and wait for Tesfa’s art class to finish that I can read some more of a book that won’t even stick long enough in my mind that I’ll remember what happened at the beginning when I get to the end. So what’s the point? If it weren’t grey, I’d stare out at nature instead for the two hours. But it’s all grey here still. The snow is so deep that being above freezing hasn’t melted any of it yet. There are piles in the yard taller than me, not that I’m tall. I’d be taller if I didn’t slouch but the piles of grey snow are still there, depressing in the yard.

So I read to pass the time, until something better comes along. Until I can fix my stories that are broken or write new ones or find new books to add to my wishlist, to add to my heart palpitations.

Summer, at this point, is purely imaginary.

March 2014

I read the following books:

  • We Are Water: I think I give Wally Lamb a pass on a lot of things because of reading I Know This Much Is True in hotel room in Harar which, instead of walls in the hallways, just had curtains tied down that billowed out like balloons in the wind and kept none of the dust out, so were completely useless except for imagery purposes. I was disappointed in Harar and I Know This Much Is True is a novel about disappointment and what good can come of disappointment. But this book, We Are Water, it just annoyed me. Plus, much like Tampa last month, what is with the gratuitous depictions of rape and sexual violence? Is that a thing now? To prove how brilliant a writer one is, one has to write as base and degrading as possible? Perhaps it’s just me, but I don’t really need page after page after page of child rape. I’m fine with a brief sketch to get the picture.
  • The Ocean At The End of the Lane: I’ve never really understood the thing with Neil Gaiman. I think he’s an okay writer but I don’t get why so many people adore him. I always find when I’m reading his stuff, even Sandman, that nothing captures my attention and my mind wanders so much. Like if you ask me in a month what happened in this story, I doubt I’d be able to tell you. Maybe other fantasy writers (I don’t read much adult fantasy) are so much worse that Neil Gaiman seems masterful in comparison? I don’t know. I also wish his female characters weren’t just tools for the male characters to emotionally advance. They’re always just mysterious faerie-like creatures with minimal depth.
  • Everything Is Perfect When You’re A Liar: Why is there so much CAPS LOCKING GOING ON with multiple explanation marks to emphasize how funny things are?!?!? The writer needs some more confidence to just let things be funny rather than to tell me where the funny occurs, but I’m one to talk. I have no confidence either and I almost never write anything meant to be intentionally funny.
  • The Lifeboat: This book had too many characters. To remedy this, I wrote my own lifeboat story with only four characters.
  • Little Women: We already discussed how this book might have made me a worse person.
  • Pippi Longstocking: For some reason, I thought this book was more racist than it was. Maybe the later ones are the really racist ones? I only had to make minimal changes when reading it to Tesfa to modernize it.
  • They Were Counted: Discussed here.

Best book:

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I wasn’t initially going to read this book, because I remember not liking The Antagonist (although I rated it quite highly so I don’t know precisely what’s going on with my memory). But then, for reasons I don’t understand, I put Hellgoing on hold at the library and it was really good. My non-lifeboat, post-modern story I started this month is inspired by Hellgoing. It isn’t as good as any of Lynn Coady’s stories, but it’s a start.

Most promising book put on wishlist:

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New Dinaw Mengestu. Yay!

I watched the following:

  • Breaking Bad: By now everyone knows that Breaking Bad is not my cuppa anything. Initially, the show stressed me out so badly I could barely watch it. By the end, it just made me so angry, not that I think the creators were going for this, but I couldn’t help watching it and seeing like a racist, MRA’s dream, “nice” guy dream: geeky white guy gets hot chick then outsmarts a whole variety of POC and women to get what he wants, only to go out in a, literal, firefight of glory. I would have much preferred Walt to end up one of many in an orange jumpsuit, interchangeable and forgotten because he’s far from being the hugely important kingpin he imagines himself to be. He’s a jerk. I don’t get the veneration.
  • Community: I watched the pilot episode again while sick, then one of the newer episodes. And yeah, I’m pretty sure that Community has britta’d Britta. She was so much more compelling in the pilot and then she just ends up a lame parody of the humourless feminist by the later seasons. I wish they’d kept her strong throughout, rather than playing her convictions off for cheap laughs. The latest two Community episodes are up on hulu and I haven’t gotten around to watching either of them. Maybe I’m sorting of cooling off towards Community.
  • 30 Rock: Once upon a time I knew someone who knew a lot about feminism and called herself a feminist and urged women to stick together but who, at the same time, flirted with my boyfriends and gossiped behind my back and told other people things I told her in confidence, and I never really could reconcile what she said with how she acted and whenever I tried to say something to her about how her behaviour hurt me, she’d brush it off and say more feminist-sounding things and I’d get confused. It still leaves me feeling punched in the gut, even fifteen years later. That’s what 30 Rock is: it spouts some progressive sounding theory, but then used gay as an insult and puts people in blackface and seems just really like a sleazy sort of show that really, isn’t that good. But, on the plus side, watching it reminds me of Beetlejuice because of Alec Baldwin (who is another problematic issue right there).
  • Trailer Park Boys: I miss Halifax. Sure, I live two hours away, but even the trees here are different in New Brunswick. I watch Trailer Park Boys and it just looks like home. Rewatching the episodes in anticipation of the new season coming to Netflix.
  • Despicable Me: More tedious the second time around. What does it say that the most interesting characters in your movie are little yellow pilltubes that don’t even speak English?
  • Howl’s Moving Castle: I know I’ve seen this movie before, but I forgot most of it. Or maybe I didn’t see it. I still can’t tell if I like it or not.

I wrote: Lifeboat story, post-modern story, some faerie story work. Considering that between March Break and snow days, Tesfa had ten days off school, and I started the month with food poisoning and ended it with a sore throat/cold/general misery at being sick, I feel that this month I accomplished more than I would have thought possible. I’ve now also written, although only typed up two, three stories of my anticipated twelve short stories total.

reading around the world – Hungary

Hungary: They Were Counted by Miklós Bánffy

Synopsis: (from amazon) Painting an unrivalled portrait of the vanished world of pre-1914 Hungary, this story is told through the eyes of two young Transylvanian cousins, Count Balint Abády and Count László Gyeroffy. Shooting parties in great country houses, turbulent scenes in parliament, and the luxury of life in Budapest provide the backdrop for this gripping, prescient novel, forming a chilling indictment of upper-class frivolity and political folly, in which good manners cloak indifference and brutality. Abády becomes aware of the plight of a group of Romanian mountain peasants and champions their cause, while Gyeroffy dissipates his resources at the gaming tables, mirroring the decline of the Austro-Hungarian Empire itself. The first book in a trilogy published before World War II, it was rediscovered after the fall of Communism in Hungary and this edition contains a new foreword.

Thoughts: So much of this book actually takes place in modern day Romania, but, at the time set, Transylvania was a province of Hungary and the plot concerns the Hungarian ruling class, plus with all the other scenes in what we would consider Hungary-proper today, I’m going to keep this book as my Hungarian entry in my round-the-world book journey.

So this is one of those books that is more important than it is enjoyable; it’s not a fun book and the characters aren’t overly sympathetic, or maybe they were to the author and other members of the Hungarian aristocracy in the dawning days of the twentieth century. Nowadays, that whole dismantled universe is so foreign (although maybe if I flip through the pages of Paris Match, it still exists as a sliver of its former self) but Bánffy has a knack for drawing the proletariat reader in enough, especially one that’s read any large party scenes from Tolstoi and the like. It’s actually very Tolstoi-esque, like the Peace parts of War and Peace, managing forestry estates and trying to set up co-operatives for the peasants and being cheated by your employees, then having doomed love affairs, gambling and gamboling at fancy dress balls while being unquestionably rich.

This is the first book of a trilogy. The other two books aren’t (in the library and in English) (brackets for logical statement, not distributing over the and), so I have to buy them if I want to read them. I guess that will be the test of how much this book stays with me – will I be compelled to buy the following two books or try to read the library versions in French?

Not so great thing about the translation: They took out the accents in the names because it would be too confusing. That is what the translators said in the introduction. Accents would be too confusing for the sort of person who picks up a six hundred page novel about the Hungarian aristocracy? It seems like they may be underestimating the intelligence of their potential readership. I put the accents back in myself in the synopsis for y’all.

Also, bonus – this was the first e-book I ever bought, way back in June 2012 for my iPad, before I learned that reading on the iPad was an eyestraining nightmare. Now I read this on my kobo and it was much better.

Rating: 4/5

Previous Readings Around the World.

quarterly report

Stolen shamelessly from Reading In Bed.

So here are some quarterly stats of my reading so far this year.

Recommended reading (i.e. rated 4.5 stars or above out of 5):

Diversity

  • 47% female authors
  • 24% Canadian authors
  • 23% writers of colour
  • 2% originally in Ukrainian, 2% originally in Hungarian, and all the rest originally in English

So, could be better, could be worse.

And today is the fourth snow day since last Wednesday. Too miserable to go out with less and less to do. Plus Friday is another day off. Tesfa and I might kill each other soon.

so that was a bust: Harriet the Spy

Because of the unending parade of snow days and school holidays coming up over the next few months, I have been trying to find interesting (to me) longer chapter books to read to Tesfa, but books that are still somewhat interesting to a five year old. The intersection is non-trivial, but I’ve exhausted our home stash, having read all our Franny K. Stein books, Roald Dahl ones, Og, and Jacob Two-Two a googol times each. And I keep seeing all these great reviews of Harriet the Spy, of which I know I bought a copy at Fair’s Fair in Calgary, but I can’t find anywhere. So I took another copy out of the library and since today is the (third) snow day (in five days), I sat down to read it to Tesfa.

Now I know that Tesfa is outside the age range for this book, so it may not be appropriate, and I know that I read this book when I was a kid because I remember thinking afterwards I should keep a notebook, which lasted for about eight seconds until I decided I did not want to carry a notebook around with me everywhere I went, and I know that 1964 was different than 2014, but damn I’d forgotten how mean and judgmental Harriet is. I stopped reading midway through Chapter Two with:

DOES HIS MOTHER HATE HIM? IF I HAD HIM, I’D HATE HIM. [caps lock from source]

Seriously?

I didn’t read that bit aloud and then told Tesfa that my throat hurt too much more to continue.

Kids are cruel. I understand that. But this? This is just too much for naive, rose-goggled meghan. I keep reading about how engaging Harriet is and how curious Harriet is and how non-traditional Harriet is. Well, what about how mean Harriet is and how unnecessarily cruel she is? The internet tells me she gets her comeuppance and then learns that writing down and saying cruel things have consequences, but I don’t know. Tesfa’s too little for that action-consequence logic right now. Back to Franny K. Stein for another week.

tapped out

Me: That’s it. I have no new stories. Not one. I have written everything I can write.

Geoff: You said that last week and then you wrote five thousand words about a lifeboat.

Me: But that situation was totally, completely, irrevocably, one hundred and twelve percent different.

Geoff: Okay. Fine. I guess you’ll have to fill your days with Netflix then.

Me: Fine. I will.

ten minutes pass

Geoff: What are you writing?

Me: A story.

Geoff: I thought you were done writing stories.

Me: Yeah, but I didn’t mean it.

Geoff (throws up hands in disgust and walks away)