So that’s stuck in my head now although I’m pretty sure I haven’t sung or heard it since I was nine.
Me: Maybe talking more about my vagina will help me develop my brand?
Geoff: I don’t think that’s very appropriate.
Me: Well, I can’t say that not talking about my vagina has really made me successful. Time to try another tack.
Geoff:I don’t think the vagina-tack is going to be successful.
Me: So you think that my story about a demon named Larkspur is going to work instead to garner me success instead?
Geoff: Larkspur?
Me: Yes.
Geoff: For a demon?
Me: I can’t change it now. That’s what I named him in my head.
Geoff: (thinks) Yeah, you’re right. Go with the vagina one.
Conversation has been condensed for humour purposes.
It’s like a detox.
I didn’t write anything new for thirty days.
Maybe I’m cured?
I always like to read spooky stories. The Children’s Home by Charles Lambert, is sort of a spooky book. It definitely starts out spooky — children showing up at a manor house somewhere vaguely British, a manor house owned by Morgan, a disfigured recluse and attended to by a housekeeper who also simply showed up one day. There are secret corridors and hidey holes and disappearances, all aping a nineteenth century ghost story. Even the structure, which each chapter starting with a small-font, italicized blurb: In which …
In which Engel chooses a room;
In which medical help is required;
In which Morgan’s library is described;
In which the novel suddenly veers off strangely into some bizarre Soylent Green revenge fantasy plus the Holocaust I think.
Oh my goodness, it’s the aliens all over again. How is it that my super-hero skill is the ability to pick books where random shit is thrust upon the reader? If I could monetize this, I would be wealthy enough that I could buy all the books I want, rather than request them from the public library or Netgalley.
I don’t know. I think the last third of the book is supposed to Mean Something, with bolds and capital letters. I have no idea what that something is. At least I can write in my review that I was flummoxed, because flummoxed is a fun word to say. I thought I was just going to be reading a spooky book, which turned out not even to be that spooky. What does that say about me that I’d rather be scared witless than confused?
As for the comprehensible aspects of the book, it’s decent. Shoulder shrug meh. None of the characters are particularly deeply drawn. There end up being a lot of kids, none of whom have any real characteristics other than David, and Moira, who we are told is Morgan’s favourite, at which point she more-or-less isn’t mentioned again for a good third of the book. We never really know what happens with the disappearances and reappearances. We never really know what happens with a mask. We never really know much. Are they in an alternate dimension? This dimension but dystopic? This dimension, present day? Questions abound. Obviously I have no idea how Lambert wrote this book, but it feels like a book that was cranked out, lovingly cranked out, but cranked out nonetheless, in a weekend. Stretch it out, lose some characters (the doctor? What does he even do? I don’t know one single fact about him other than he is a doctor and he knows how to drive a car), reduce the number of children, up the creepiness, the gothic, the fear, the wolfhounds, the factory, the sister, then maybe we’d have a real spooky story for me to enjoy. Else, it’s just a light novella that can be read in an evening.
The Children’s Home by Charles Lambert went on sale January 5, 2016.
I received a copy free from Netgalley in exchange for an honest review.
So way way way long time ago (last January), I found a reading challenge (here’s the link). So how well did I do for 2015 and this challenge, assuming that I want a unique book has to fit in each category?
Legend:
Success! | The novel superbly satisfies the criteria. |
Quasi-sucess | Parts, but not all of the novel satisfy the criteria. |
Failure | Didn’t manage to read even one book like this. Sad panda đ |
Read a book that is/Read a/Read an/Read/ …
001 | set in British Columbia | Ellen In Pieces by Caroline Adderson |
002 | set in Alberta | Saltwater Cowboys by Dayle Furlong |
003 | set in Saskatchewan | The Girl in Saskatoon by Sharon Butala |
004 | set in Manitoba | Crackpot by Adele Wiseman |
005 | set in Ontario | And the Birds Rained Down by Jocelyne Saucier |
006 | set in Quebec | Sanaaq by Mitiarjuk Nappaaluk |
007 | set in Nova Scotia | Turn Us Again by Charlotte R. Mendel |
008 | set in New Brunswick | Yep, the province I live in. Failure! |
009 | set in Prince Edward Island | This Is Happy by Camilla Gibb (for about four pages of the whole book) |
010 | set in Newfoundland/Labrador | The Night Stages by Jane Urquhart |
011 | set in Nunavut, Yukon, or Northwest Territories | Fatty Legs by Christy Jordan-Fenton and Margaret Pokiak-Fenton |
012 | set in an urban centre | A Tree Grows In Brooklyn by Betty Smith |
013 | with a rural setting | Queen Sugar by Natalie Baszile |
014 | set outside of North America | Under the Skin by Michel Faber |
015 | which has been nominated for the Giller Prize | Outline by Rachel Cusk |
016 | which has been nominated Governor Generalâs Fiction Award | The Night Gardener by Jonathan Auxier |
017 | which has been nominated Governor Generalâs Nonfiction Award | I have a book out from the library right now. I haven’t read it, but it’s at least in my house. |
018 | which has been nominated for the Writerâs Trust Fiction Prize | All My Puny Sorrows by Miriam Toews |
019 | which has been nominated for the Writerâs Trust Nonfiction Prize (Weston Prize) | |
020 | which has been nominated for RBC Taylor Prize (formerly The Charles Taylor Prize) for Literary Nonfiction | The Juggler’s Children by Carolyn Abraham |
021 | which has been nominated for the Stephen Leacock Medal For Humour | I guess I don’t like funny. |
022 | which has been nominated for the Womenâs Prize for Fiction (formerly the Orange Prize) | The Lowland by Jhumpa Lahiri |
023 | which has been nominated for the Commonwealth Prize | Bang Crunch by Neil Smith |
024 | which has been nominated for the Booker Prize | The Bone Clocks by David Mitchell |
025 | that has featured in the The Morning Newsâ annual âTournament of Booksâ | Station Eleven by Emily St John Mandel |
026 | that has been featured on Canada Reads | When Everything Feels Like the Movies by Raziel Reid |
027 | which has been nominated for a National Book Award | Brown Girl Dreaming by Jacqueline Woodson |
028 | by an author who has won a Nobel Prize | I Am Malala by Malala Yousafzai |
029 | which features a Canadian immigration experience | The View From Castle Rock by Alice Munro |
030 | authored by a First Nations writer | Birdie by Tracey Lindberg |
031 | that features First Nations experiences | Nobody Cries at Bingo by Dawn Dumont |
032 | that is considered a Canadian Classic | Jacob Two-Two Meets the Hooded Fang by Mordecai Richler |
033 | by a Canadian author | The Secret World of Og by Pierre Berton |
034 | featuring an animal | Double Trouble by Jenny Dale |
035 | published by an independent (indie) publishing house | Cosmo by Spencer Gordon |
036 | originally published in a language you do not speak | Uzumaki Volume One by Junji Ito |
037 | âbig bookâ – a book over 600 pages | A Brief History of Seven Killings by Marlon James |
038 | you discovered in a Canadian Newspaper | The Girls’ Guide to Hunting and Fishing by Melissa Bank |
039 | you discovered in a Canadian Magazine | Erm…maybe I need to actually read a Canadian magazine. |
040 | you discovered on 49th Shelf http://49thshelf.com | Elle by Douglas Glover |
041 | recommended to you by a Canadian | Ethan Frome by Edith Wharton |
042 | that features hockey | If I Fall, I Die by Michael Christie (Well, he wears a hockey helmet on his first foray from the house, so close enough.) |
043 | that features music or musicians | Us Conductors by Sean Michaels |
044 | written by an author under the age of 30 | The Bad Beginning by Lemony Snicket (when it was published he was 29, not obviously that he is still under 30 now). |
045 | written by an author over the age of 65 | The Brueghel Moon by Tamaz Chiladze |
046 | that features an LGBTQ character | Fingersmith by Sarah Waters |
047 | written by an author who identifies as LGBTQ | Notes of a Native Son by James Baldwin |
048 | about family | Mary Poppins by P.L. Travers |
049 | that has been banned | A Wrinkle in Time by Madeleine L’Engle |
050 | by an author who is also (or has been) a journalist | Count on Yourself by Alison Griffiths |
051 | that has been a Canadian bestseller | Adult Onset by Ann-Marie Macdonald |
052 | about survival | The Austere Academy by Lemony Snicket |
053 | that has been on your bookshelf for a very long time | Great American Short Stories edited by Wallace and Mary Stegner |
054 | published in 2015 | The Girl on the Train by Paula Hawkins |
055 | published in the 1800s | 20 000 Leagues Under the Sea by Jules Verne |
056 | published in the 1900s | Folk of the Faraway Tree by Enid Blyton |
057 | published in the 2000s | Submission by Michel Houellebecq |
058 | set in the future | Feed by Mira Grant |
059 | set in the past | Siberiak by Jenny Jaeckel |
060 | that has been adapted for TV, or the big screen | Good-bye to Berlin by Christopher Isherwood |
061 | the first book in a series | Beezus and Ramona by Beverly Cleary |
062 | in a series you have already begun | A God In Ruins by Kate Atkinson |
063 | that you think has a beautiful cover design | Katamari Volume 1 by Alex Culang and Renato Castro |
064 | written by a man, featuring a female main character | The Categorical Universe of Candice Phee by Barry Johnsberg |
065 | written by a woman, featuring a male main character | The Man Without A Face by Masha Gessen |
066 | recommended to you by a friend, or family member | The Thickety by J.A. White |
067 | published in the year of your birth | The Restaurant at the End of the Universe by Douglas Adams |
068 | by one of you favourite authors | Emotionally Weird by Kate Atkinson |
069 | by an author you have never read before | 2666 by Roberto Bolaño |
070 | novel that is a coming of age story | Tita by Marie Houzelle |
071 | that was noted on any 2014 âbest books of the yearâ list | Through the Woods by Emily Caroll |
072 | that features illness or disability | The Elementary Particles by Michel Houellebecq |
073 | that is a mystery, or features crime | The Wasp Factory by Iain Banks |
074 | science fiction novel | Roadside Picnic by Arkady and Boris Strugatsky |
075 | fantasy novel | The Turnip Princess by Franz Xaver von Schönwerth |
076 | novel which is considered âYAâ (published for young adults) | The Thrilling Life of Pauline De Lammermoor by Edeet Ravel |
077 | poetry collection | Josephine: The Dazzling Life of Josephine Baker by Patricia Hruby Powell |
078 | play | The Last Days of Mankind by Karl Krauss (also the only play I read this year) |
079 | that crosses genres | Fieldwork by Mischa Berlinski |
080 | graphic novel, or graphic memoir | Beautiful Darkness by Fabien Vehlmann and Kerascoët |
081 | about food or drink | The Sweetness in the Bottom of the Pie by Alan Bradley |
082 | biography or memoir | Why Not Me? by Mindy Kaling |
083 | love story | The Buried Giant by Kazuo Ishiguro |
084 | featuring travel | 1988: I Want to Talk With the World by Han Han |
085 | collection of short stories | What Boys Like by Amy Jones |
086 | of essays | Yes Please by Amy Poehler |
087 | of narrative nonfiction | A Spy Among Friends by Ben MacIntyre |
088 | epistolary novel, or a nonfiction collection of letters | Dear Mr. Henshaw by Beverly Cleary |
089 | that deals with overcoming the monster | Boo by Neil Smith |
090 | that features a rags to riches story | The BFG by Roald Dahl |
091 | about a quest | Bird Box by Josh Malerman |
092 | featuring a voyage and return | The Phantom Tollbooth by Norton Juster |
093 | comedy | A Royal Pain by Ellen Conford |
094 | tragedy | The Children Act by Ian McEwan |
095 | story about rebirth | Where Did You Sleep Last Night by Lynn Crosbie |
096 | novel with a first-person narrative | When Did You See Her Last? by Lemony Snicket |
097 | novel with a second-person narrative | Viviane by Julia Deck |
098 | novel with a third-person narrative | All the Light We Cannot See by Anthony Doerr |
099 | that has an unreliable narrator | Acceptance by Jeff Vandermeer |
100 | that features alternating narration | The Swallow by Charis Cotter |
I looked around at popsugar‘s and cbc‘s and book-riot‘s and some Christian one I found randomly on pinterest, and decided that none of them were right for me.
So I got sad.
Then I decide to smush all them together and make my own.
Me (to Geoff): Do you think I should make a shiny infographic for my 2016 challenge?
Geoff: No.
I feel I need to interject here to emphasize just how much disdain Geoff had in his voice in saying no to my dreams of beauty.
Me: Maybe I should.
Geoff: No. It’s completely unnecessary.
Eighteen hours later:
Me: I made an infographic!
Geoff simply mutters darkly to himself and ensconces himself in the basement with the Wii U and Tesfa.
So, I present to everyone, infographic! Or you can simply click the Books 2016 link up there in the corner and see the spreadsheet which is not so wonderfully infographicky.
Geoff: Can you at least check off boxes on your infographic as you go through your challenge?
Me: You mean like an HTML checkbox?
Geoff: Yes.
Me: No. You have to go and physically edit the jpg.
Geoff: So your checklist just for show?
Me (triumphant): Yes.
Geoff: (more disdainful, dark muttering to himself.)
Me: A victory for meghan! A victory for beauty! A victory for infographics!
A father-in-law dies. A mother dies. A husband takes ill. The Cruel Country, by Judith Ortiz Cofer is an amorphous meditation on all this. Not a particularly uplifting book with which to start 2016.
Part way through The Cruel Country, I thought to myself Is this really necessary? Not that the book isn’t necessary to the author; with each word, you can feel how cathartic this memoir is for her, the ability to place all this in a narrative, however unsatisfying. But the book in relation to the reader: my father-in-law and mother are still alive, my husband isn’t sick. Ortiz Cofer’s words are going to be nothing more than a pale simulacrum until these things happen to me, in the same way that explaining motherhood to the childfree is a somewhat futile task. What can I say to an experience I haven’t lived through? Is it a failure of the words that I feel distanced from them? A failure of my own imagination? A failure of empathy? A failure of eliciting empathy? I can’t say. I can say that a few times the jumps between paragraphs fall flat, too quick transitions. I can say that there is some repetition, because of the repetitiveness of life, but that doesn’t mean I want to read it. I can say there is some unevenness, the story pushed into two books, one far longer than the other, so the second, dealing with the illness of her husband, feels more like a P.S. at the end, with the writing style and tone changing almost completely (less poetry, less Spanish).
I’ll say I loved the Spanish words sprinkled in. I’ll say I love, now and then, with the poetry. I’ll say I love this, this quote:
Ave MarĂa. Let me learn to relinquish her physical presence. Let her be the dew in the grass, the seed in teh rich black earth, the shade of the tree; let her be in the ephemeral bloom of the hibiscus plant … with flowers that fold unto themselves each night and are renewed each day.
I’ll think of that with my grandmother, who is the closest person I’ve lost, who was Catholic, and slightly foreign to my Protestant upbringing. I’ll think of her as I watch the little kids across the way tobogganing down their hill in the snow, almost a completely perpendicular image from the de afuera who lives in Georgia, USA, and comes to Puerto Rico to bury her mother.
Let me learn to relinquish; at least that I will take away from this book that I can barely even fathom.
The Cruel Country, by Judith Ortiz Cofer went on sale March 1, 2015.
I received a copy free from Netgalley in exchange for an honest review.
I read to the following countries/territories:
(Map via traveltip.)
Not even counting all the imaginary ones.
Books that I rated 4.5 or 5 stars out of five in a somewhat random order.
It was one of those years where I read books like water and wasn’t particularly, as one can see above, discerning as I liked a lot.