Month: November 2013

third story of November published: Darien Gap at the Puritan XXIII

Ed. note: the e above is missing its accent in the title and I am looking at wordpress info on how to fix it.

My almost award winning story, Darién Gap is now online at The Puritan XXIII. This is the longest piece I’ve published (around ten thousand words) but it’s also one of Geoff’s favourites, so you’ll be reading a story with the Geoff stamp of approval (which would probably look like a lot of dots and arrows going around in some odd arrangement (this is a category theory joke)) and we all know the only reason you’re coming here to check out what stuff gets the Geoff stamp of approval.

So please check out my story along with the rest of the issue.

And this concludes all the pieces being published that have been accepted. I have no new publications scheduled, which can only mean one thing: time to write and submit some more short stories!

being positive

Make a list of all the nice things that people have said about your writing, Geoff said, tired of listening to me complain about feeling unloved. Nice things by people who didn’t have to say nice things, like strangers.

So, in the past few weeks, I’ve gotten:

“I loved it!” via twitter from Reading In Bed.

“Brutal, crushing story” via twitter from Kim Fu.

“Our Editorial Board was really captivated by this original and emotionally stirring piece” via email from Prism Magazine.

“Love the comedic touches! Strong writing, characterization. Would love to see more writing from this author” via email from The Antigonish Review.

The last two, sadly, were part of rejection emails (no Prism or Antigonish Review publications for me yet). But those are better than the other rejection email I got about how they only publish pieces with “meaningful conflict” and my piece’s subtle-women-to-women-undermining (most girls are nodding and know what I’m talking about here) was either two subtle or read by men who, luckily, haven’t been privy to the cattiness that sometimes occurs between girlfriends. I’m giving it a 75% likely the first and 25% likely the second.

So positive rejections and unsolicited nice things, but the feeling-of-failure creep is still setting in. I have a story, the one that has “comedic touches” and “[s]trong writing, characterization”. I think, in terms of short stories, it’s my best one yet. I read a shitload of short stories before writing it (Alice Munroe, Rebecca Lee, Miranda July, Charles Yu, etc.), so I was in a read short-story mindset. I think it’s funny and touching and deserves a really good home. But I don’t know where to put it – I’m sure it could find a great home online, but it feels like a story you flip through the pages to read. Some of my stories seem like they belong on a screen. This one doesn’t.

So I wonder – should I submit it to the Fiddlehead contest? Maybe an online journal I really enjoy like Little Fiction (although they were the ones who thought I had inadequate conflict above) or Compose (although they also recently rejected me as well)? I could go big and try Room? Joyland (they never say no, they just don’t email you when you don’t get accepted, but there rejection turn-around time is a month so at least one isn’t waiting too long)? carte-blanche always rejects my stuff. filling Station too, and they always give the most ridiculous reasons for it.

This list I’m making has me realising I submit to a lot of places and know a lot about their rejection policies. But it’s also making me gigglge, so that’s not too bad.

Staying positive. I’ll submit it somewhere soon, and we’ll see.

am I going to use wattpad?

Am I going to use Wattpad?

Background: On the weekend, Geoff read an article in the Globe and Mail about Wattpad (an article I would link to right now except the Globe and Mail website is “experiencing an internal server error. Our engineers are working to resolve the problem as we speak” so I can’t) and was very Why don’t you try this out? You could get new readers! You could get better feedback! You could be even more awesome than you are now! Well, sort of that with less exclamation marks and reinforcing of my awesomeness. So I said I’d look at it, but I was on the iPad and I don’t like typing on that silly in-screen keyboard, but I did sign up and today I actually went to look at Wattpad and the answer as to whether I am going to use it or not: I don’t know.

The first thing I did was read through the Terms of Service because of the one thing I wanted to know the most: If I post something on Wattpad, who owns it? Me or the site? So the Terms of Service say For clarity, you retain all of your ownership rights in your User Submissions, which made me think okay, but then goes on to say that Wattpad can use, reproduce, distribute, display, and perform the User Submissions in connection with the Wattpad.com Website and its affiliates. So I started to go hmmmm.

And now for short stories, almost everything I submit to now seems to have big flashing warnings saying (don’t worry, I’m not going to use a blink tag) Your submission must have never appeared on the internet before, so I’d be reluctant to put shorter things out there. But I could use Wattpad for longer stories. I could get some additional feedback for Come From Away and stop complaining to Geoff about my course: I am getting feedback that is helping my novella become a better novella, but I am finding it to be a very negative process due to only negative feedback with nothing positive. And I assume Wattpad is like an echo chamber – people will be like I loved it! because if they hated it, they probably quit part way through and couldn’t be bothered to comment. I love being loved.

I read a story on Wattpad. It was decent. Reading through the Terms of Service, I’m not 100% convinced I am supposed to link to Wattpad stories. But I will. The worst that can happen is they kick me out and I haven’t done anything other than make my avatar the picture we took in Costa Rica in June of a tree frog. I might make my background picture Debre Sina, Ethiopia, then it’ll match my twitter profile.

I am trying to find more stories to read. There are four separate categories for vampire, werewolf, fantasy, and paranormal. I can’t seem to find literary fiction. The closest category seems to be Other. Maybe Non-teen fiction?

I am going hmmmm again.

I recognize that, with the exception of short stories which I will continue to submit to journals, self-publishing is likely the route I will end up taking. I’m not sold on Wattpad yet. Margaret Atwood telling me yay on the about page doesn’t cut it.

Still, I need to get over my squeamishness regarding self and online and e-book publishing. But, at heart, I fear I am a book Luddite.

classics club

So yesterday, when I was linking around to finishing the Classics Club Spin #3, I found out that it was Classics Club Spin #4. So, since reading War and Peace made me smarter, I thought I’d do it again. Of course, yesterday was the day they picked the spin number and I clicked that post first (stupidly), so I made my list and then used random.org to pick a new number so I couldn’t be accused of influencing my outcome. Geoff saw my random.org selection, so he can vouch for me for not cheating.

I picked books that I have on my shelf. Luckily, all my Solzhenitsyn books are on a shelf that I didn’t get to, so there was no chance of another long, Russian, hyper-realistic novel on the list.

  1. The Handmaid’s Tale by Margaret Atwood
  2. Demons by Fyodor Dostoevsky
  3. The Good Earth by Pearl Luke
  4. Women in Love by D.H. Lawrence
  5. Mrs Dalloway by Virginia Woolf
  6. The Warden by Anthony Trollope
  7. 20 000 Leagues Under the Sea by Jules Verne
  8. Brave New World by Aldous Huxley
  9. Death in Venice by Thomas Mann
  10. The Overcoat and Other Stories by Nikolai Gogol
  11. Moby Dick by Herman Melville
  12. Wuthering Heights by Emily Brontë
  13. Lord Jim by Joseph Conrad
  14. The Scarlet Letter by Nathaniel Hawthorne
  15. All Quiet on the Western Front by Erich Maria Remarque
  16. Nicholas Nickleby by Charles Dickens
  17. Portrait of a Lady by Henry James
  18. The Sound and the Fury by William Falkner
  19. Tess of the d’Ubervilles by Thomas Hardy
  20. The Metamorphosis and Other Stories by Franz Kafka

And the lucky number was fourteen. So I will be reading The Scarlet Letter.

Also, saddened by how few women are on this list, if I do Classics Club Spin #5, I’m going to make an all-woman list and choose from that.

So, wish me luck. This seems more doable in the time frame suggested (by January 1) than War and Peace.

tolstoied: done!

So last night I powered through Epilogue Chapter II and am done War and Peace. I failed the Classics Club Challenge of finishing by October 1st. But I finished and it was 1356 pages in ten point font, so maybe taking a long time because I spent lots of time playing Plants Vs Zombies 2 and reading other books, most not very interesting, is acceptable.

Now the meat: what did I think of War and Peace?

Have you ever seen those colour bars where it starts of white on one side and ends up black on the other and gradually shades to grey in between? Here’s a picture of what I mean:

Black and White and Grey

So War and Peace has two threads – the story and Tolstoi’s philosophy about history, free-will, great men, etc., which I will call Tolstoi spew. And we start off in white – all story, but it gets greyer and greyer as more of Tolstoi spew gets mixed in, until you get to Epilogue Chapter II, which is all Tolstoi spew and that I read while recovering from a sinus cold so I’m not one hundred percent sure I really understood the last forty pages in the way they are meant to be understood, but I will summarize as best I can, which is History is not all the reasons why and wherefore about great men. History is the entirety of everything that came before and everyone involved and no one and no thing can be ignored or left out. In other words, history is unknowable due to its massiveness. Maybe a philosopher can come along and tell me whether my assessment is correct or not. Doesn’t matter I am done. Epilogue Chapter II will not be revisited.

Now, I had fair warning about Tolstoi spew. Geoff told me You’ll probably be fine until nearer to the end. I’ve read Anna Karenina, which also has it’s fair share of Tolstoi spew, although I remember that there Levin’s speeches about emancipation of the peasants and women’s rights were more woven in throughout the text, not dumped heavily nearer and nearer the end, but I did read Anna Karenina over ten years ago, so I may be mis-remembering. But, as with Anna Karenina, I wanted to spend more time with the characters of War and Peace. As with finishing any massive book, I am sad that I am done. I am sad that there is no more of Nikolay and Marya and Sonya and Natasha et al. I carried that heavy book around for three months. Now I have to find something else to do while waiting for Tesfa’s art classes to finish and something else to search for on wikipedia when I don’t understand the historical references.

As for content: we’re going along swimmingly, then the book just ends. Everyone who is still alive pairs off, rather unhappily it seems, although since all happy families are alike, the friction and angst and malaise of the remaining couples makes sense in a Tolstoied universe. The last, non Tolstoi spew, scene is someone vowing to make his father proud of him, and then fade to black. It’s unsatisfying. If I go to, as I always do when comparing very long books, to Infinite Jest, another book which just ends, there’s a much more satisfying ending there because it ends a cycle of the novel or a spiral of the novel; whatever one wishes to call it, it ends something concrete and contained. War and Peace just stops and switches to Tolstoi spew and then I get annoyed because I invested a lot of time and energy and emotion into knowing these people and they are simply abandoned to make some point about the wide, infiniteness of history. That is unfair.

Some other notes:

The version I have has the peasants all speaking in, what I assume is meant to be, cockney accents, dropping aitches and ending letters with lots of apostrophes to denote the missing letters. Is this true for all English versions? Denisov as well, his lisp is written out phonetically (w‘s rather than r‘s). Sometimes this was wearisome.

In the Russian version, when the characters speak French, do they actually switch from the Cyrillic Russian to the Latin French alphabet and then speak in French since Tolstoi might have assumed that most of the literati reading his book would speak passable French? Probably it just says as it does in my English version They said in French but says whatever they said in French in Russian.

The short sections within each chapter (two or three pages) was quite useful for a long novel. I could quickly pick the book up and read a tiny bit, while doing other things. That’s a plus for a long, detailed novel.

In conclusion:

It’s good I read War and Peace. I get so caught up in contemporary fiction and contemporary tropes and contemporary situations, it helps put me in a differing headspace to read something so secure and antiquarian. It reminds me to focus. War and Peace is not a novel, even though I mentioned its short sections for easy stop-starting, meant to be read while unfocused. People used to read I think while flipping over the next of my tissue-paper thin pages. Really read difficult, time-consuming novels. And I get distracted after ten minutes and think Oh, I should check my e-mail even though I get, on average, -4 emails a day.

So, it’s like your high school English teacher told you: Reading the classics will make you a better person.

Addendum:

Geoff and I were standing at our unorganised bookshelf yesterday trying to find a specific book (Rebecca). We have, on our shelf, Finnegan’s Wake. Geoff has read about five pages. I have read one paragraph.

Geoff: Here’s what you should read next.

He hands me Finnegan’s Wake.

Geoff: You’ll stop complaining about the random Tolstoi interjections after this.

Me: Do you really want me to read this? I won’t even bother trying to understand it. I’ll read ten pages a day and let the words wash over me the way I do when I read Proust. Then I’ll lord it over your head for the rest of your life that I read all of Finnegan’s Wake and you didn’t. Are you sure that’s what you want?

Also, I have much more Proust to get through before Geoff dies.

confession: I hate e-books

There. I said it. I hate e-books.

I feel like my acceptance of new technology has sort of assymptoted to a dead, flat-line. The curve started high: I was programming in GW-Basic at seven, I was on the robotics team in high school, but somewhere around university, I just stopped caring. I got my first cellphone in 2009. I’ve had the same computer for three years. I am two consoles behind at this point (PS2). And I don’t mind at all.

I have an iPad. I did not pay for the iPad (living the dream as Moss would say) but got it in a barter. The first apps I put on it were kobo and kindle. I got some e-books with a gift certificate I got at my old job before I quit for having organized an awesome conference. I downloaded a bunch of Project Gutenberg classics to make myself more intelligent.

And then I started reading e-books on the iPad and realized how much I hate them.

It doesn’t help that the kobo app kept freezing. It doesn’t help that you can’t easily search in books downloaded from overdrive, which is the New Brunswick library’s e-book system. It also doesn’t help that the New Brunswick library’s e-book system is much like the New Brunswick library – as much Ted Dekker and Harlan Coben and Mary Higgins Clark as you can get your hands on, and those are not books that interest me. It doesn’t help that the iPad I have is heavy and hurts my wrists when I hold it. It doesn’t help that the screen doesn’t have all that fancy stuff that the kobo is always advertising – like true ink or whatever they call it – and I get a headache staring at the screen for too long. Also, e-books drain the battery quickly it seems, even though I change it to a black background and dim the screen. So I have to plug-in the iPad while I’m reading which defeats the purpose of reading anywhere.

But mostly, it doesn’t help that many of the e-books I’ve read, a lot that I’ve gotten to review from librarything are also not my style, so now when I start reading anything, I can’t get over the prejudice I have that anyone can publish an e-book and I don’t want to read anyone – I want to read good, meaningful, deep stories that dig me out from the inside. I have read three-ish good e-books on the iPad – I Am Forbidden, HHhH, and I am half-way through Little Children, so good books exist in e-book form I tell myself. I force myself to read slowly and not skim.

But I still hate it.

I like paperback novels. I even like the words paperback novel. I have a goal to write a book and call it Paperback Novel. I have no goal to write an e-book, even though that is the way publishing is going, even though when I’m finished my course and have firmly established (actually, I’ve firmly established it now, but will pretend that there is some submission that I will send to my course mentor that she will suddenly see all the pieces coming together and be impressed with me and that will give me the push to keep going to the end of April) that Come From Away should just die a quiet e-book death, I do not want an e-book only world. Radio still exists for people in cars. Maybe books can still exist for people with spotty electricity. Maybe I should get an axe and chop down some power lines in my neighbourhood to ensure spotty electricity.

I like folding down corners of pages and used book sales and the little interaction I get from the disgruntled town librarian. I’m not ready to give that up yet.

Maybe an actual e-reader would help? But then I’m tied to a platform. Is there an open-source e-reader? Doubtful. And paying to have a platform to read books on? So strange. Maybe an e-reader will fall out of the sky. Maybe I should just get over my disgust of iPad reading and just go for it. Maybe maybe maybe. I don’t know.

I think I like paper just a little too much.

October 2013

I read the following books:

  • In the Land of the Birdfishes by Rebecca Silver Slayter
  • Americanah by Chimamanda Ngozi Adichie: Already talked about a little bit here.
  • Echo Year by Casper Silk
  • The Silent Wife by A.S.A. Harrison: What a dumb book. I probably should have realised I wouldn’t enjoy it because of all the It’s like Gone Girl, which I also thought was ridiculous, but The Globe and Mail was all rah rah rah and it had a Kate Atkinson blurb on the front, and maybe I need to read fewer books that are taut, psychological thrillers and just go back to reading my even, lit-fic stuff instead.
  • The Quiet Twin by Dan Vyleta: Talked about in one of my Reading Around the World entries.
  • The Juliet Stories by Carrie Snyder: I came so close to being completely in love with this book, but couldn’t get there in the end. Like those people you should be friends with but aren’t. I really liked it, but there was no chemistry between me and the book, but I’m inspired to write a whole intertwined story book lately, with my last published piece as the starting point.
  • Kitchen by Banana Yoshimoto: On the recommendation of someone at my book club. I think me and Japanese novels just aren’t friends.
  • And the unending quest to finish War and Peace. Perhaps November will be the month I finish.

Best book: There were no four and a half or five star books this month. I’m wanting to read the next Dan Vyleta book (The Crooked Maid) – perhaps Giller winning (check back tonight). Maybe if it does win the Giller, the New Brunswick Library will actually buy it so I can read it.

I watched:

  • The IT Crowd: I tried turning it off and one again one last time by watching the series finale.
  • How I Met Your Mother: Ugg. I am done. If I am ever cleaning and need to have something on Netflix on in the background to distract me while I do it, I don’t know, I’ll stream Golden Girls or something and then re-read again how rape culture-normalizing the entire stupid show is. Edit: Golden Girls is not on Netflix. Boo.
  • Parks and Recreation: I am still not clear if Parks and Recreation is on hiatus or not. I am also sad for the day (likely soon), when there will be no more Parks and Recreation.
  • Mad Men: After six months, I finally finished all the Mad Men that are on Netflix. I’m not sure if I care or not.
  • The Office (US): Trying to find something to watch on my lunch hour now that I’ve finished Mad Men.
  • Beezus and Ramona: I am trying hard to find quality movies with female protagonists in it for Tesfa. I use Reel Girl a lot, but even then, it’s still hard. So I picked this one for all of us to watch with popcorn in the basement on weekend. I can’t remember most of the books, but did Ramona’s aunt really end up marrying Howie’s uncle in the books? What was with the tacked on romantic subplot with Beezus? In fact, why does every kids’ movie have to have a tacked on romance subplot for the female characters? The Miyazaki movies we have don’t. Maybe we’ll just stick to Miyazaki, although Geoff was lent Wall-E and I have a coupon to see Frozen so we may be trying those this month too.
  • My Little Pony: Friendship Is Magic: Geoff’s favourite character is Gummy. My favourite character is I’m going to claw my eyes out if I have to watch this one more time we are on our fourth run through the Netflix episodes.
  • Top of the Lake: Easing into my post Mad Men world with a show that has an actress from Mad Men (Elisabeth Moss). So I am going to Spoiler away here: What is with the modern trope of Strong Woman Who Has Been Sexually Abused? This is in no way denigrating survivors and victims of sexual abuse but I am tired of the current way to code vulnerability now seems to be to have them raped. Is it some thought process like No worries gents if she gets a bit feisty with you – just hold her down and stick your dick into her! See, she’s not really that threatening at all. It’s become lazy, clichéd writing and I’m tired of it. I have two episodes of Top of the Lake left and I don’t know if I’m going to bother finishing it. Also, I don’t know why people keep saying New Zealand is so gorgeous – a lot of Top of the Lake looks like around here or parts of Alberta.

I wrote:

  • Submitted my Jersey Cow story to The Antigonish Review. Then did the big push of a bunch of recently rejected stories to other spots.
  • Faerie typing.
  • Rewriting Come From Away for my new mentor.
  • Came in second in The Puritan‘s Thomas Morton Writing Contest. Spent some time working with the editors fixing everything up.

I’m also going to start adding a new category for my monthly wrap-up. So here is my new category:

Most promising book I put on my wishlist

I’m always putting books on my wishlist, so maybe I’ll have some accountability and stop being like Oh – the name of this book popped up randomly when I was looking for something completely unrelated. It must be amazing!.

So, for my inaugural most promising wishlist book, I say: Adios Happy Homeland by Ana Menendez, which has such a happy and colourful cover that I just want to frame it and put it up. Of course, this book is not in the New Brunswick Library so unless it shows up a book sale for a dollar or less (currently, the only place I am allowing myself to buy books until I finish at least one hundred of the unread books I have), it may be awhile before I get to this one.